Displays

Anita and Me , which has been compared to To Kill a Mockingbird , tells the story of Meena, the daughter of the only Punjabi family in the British village of Tollington. With great warmth and humor, Meera Syal brings to life a quirky, spirited 1960s mining town and creates in her protagonist what the Washington Post calls a "female Huck Finn." The novel follows nine-year-old Meena through a year spiced with pilfered sweets and money, bad words, and compulsive, yet inventive, lies. Anita and Me offers a fresh, sassy look at a childhood caught between two cultures.

An Asian kid from Kent goes to college in London and teams up with a sympathetic group of anti-racists. But it's 1989, the year of the fatwa, and as Shahid begins a hedonistic affair with his lecturer, his radical Muslim friends want to steer him away from the decadence of the West. Hanif Kureishi's witty stage adaptation of his strikingly prescient and acclaimed novel humorously considers how the events of 1989 have shaped today's world, where fundamentalism battles liberalism. It premiered at the National Theatre, London, in July 2009.

India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by roughly 11 million people per day. In Bollywood Cinema, Vijay Mishra argues that Indian film production and reception is shaped by the desire for national community and a pan-Indian popular culture. Seeking to understand Bollywood according to its own narrative and aesthetic principles and in relation to a global film industry, he views Indian cinema through the dual methodologies of postcolonial studies and film theory. Mishra discusses classics such as Mother India (1957) and Devdas (1935) and recent films including Ram Lakhan (1989) and Khalnayak (1993), linking their form and content to broader issues of national identity, epic tradition, popular culture, history, and the implications of diaspora.

This is a hilarious and heart-rending reinvention of the modern British memoir. For Sathnam Sanghera, growing up in Wolverhampton in the eighties was a confusing business. On the one hand, these were the heady days of George Michael mix-tapes, Dallas on TV and, if he was lucky, the occasional Bounty Bar. On the other, there was his wardrobe of tartan smocks, his 30p-an-hour job at the local sewing factory and the ongoing challenge of how to tie the perfect top-knot. And then there was his family, whose strange and often difficult behaviour he took for granted until, at the age of twenty-four, Sathnam made a discovery that changed everything he ever thought he knew about them. Equipped with breathtaking courage and a glorious sense of humour, he embarks on a journey into their extraordinary past trying to make sense of a life lived among secrets.

Still in her teenage years, Nazneen finds herself in an arranged marriage with a disappointed older man. Away from her Bangladeshi village, home is now a cramped flat in a high-rise block in London's East End. Nazneen knows not a word of English, and is forced to depend on her husband. Confined in her tiny flat, Nazneen sews furiously for a living, shut away with her buttons and linings - until the radical Karim steps unexpectedly into her life. On a background of racial conflict and tension, they embark on a love affair that forces Nazneen finally to take control of her fate. A GRANTA BEST OF BRITISH YOUNG NOVELIST SHORTLISTED FOR THE GUARDIAN FIRST BOOK AWARD 'A brilliant evocation of sensuality' DAILY TELEGRAPH 'A novel that will last' GUARDIAN 'Highly evolved and accomplished' OBSERVER Reader's love for BRICK LANE- 'Memorable and gripping' ***** 'The kind of book that changes your perception of the world' ***** 'This has become a classic and i can see why'***** 'Funny, sharp and very touching' *****

A searing, gripping novel about a young Tamil woman living through the Sri Lankan civil war. Sixteen-year-old Sashi wants to become a doctor. But over the next decade, as a vicious civil war subsumes Sri Lanka, her dream takes her on a different path as she watches those around her, including her four beloved brothers and their best friend, get swept up in violent political ideologies and their consequences. She must ask herself: is it possible for anyone to move through life without doing harm? And, when the wrong person asks you to do the right thing, would you do it?

The Buddha of Suburbia, Hanif Kureishi's first novel, is a tour de force of comic invention, a bizarre, often hilarious, and totally original picture of the life of a young Pakistani growing up in 1970s Britain. Karim lives with his Mum and Dad in a suburb of south London and dreams of making his escape to the bright lights of the big city. But his father is no ordinary Dad, he is 'the buddha of suburbia', a strange and compelling figure whose powers of meditation hold a circle of would-be mystics spellbound with the fascinations of the East. Among his disciples is the glamorous and ambitious Eva, and when 'the buddha of suburbia' runs off with her to a crumbling flat in Barons Court, Karim's life becomes changed in ways that even he had never dreamed of ...

Beginning on August 9, 1945, in Nagasaki, and ending in a prison cell in the US in 2002, as a man is waiting to be sent to Guantanamo Bay, Burnt Shadows is an epic narrative of love and betrayal.
Hiroko Tanaka is twenty-one and in love with the man she is to marry, Konrad Weiss. As she steps onto her veranda, wrapped in a kimono with three black cranes swooping across the back, her world is suddenly and irrevocably altered. In the numbing aftermath of the atomic bomb that obliterates everything she has known, all that remains are the bird-shaped burns on her back, an indelible reminder of the world she has lost. In search of new beginnings, two years later, Hiroko travels to Delhi. It is there that her life will become intertwined with that of Konrad's half sister, Elizabeth, her husband, James Burton, and their employee Sajjad Ashraf, from whom she starts to learn Urdu.
With the partition of India, and the creation of Pakistan, Hiroko will find herself displaced once again, in a world where old wars are replaced by new conflicts. But the shadows of history--personal and political--are cast over the interrelated worlds of the Burtons, the Ashrafs, and the Tanakas as they are transported from Pakistan to New York and, in the novel's astonishing climax, to Afghanistan in the immediate wake of 9/11. The ties that have bound these families together over decades and generations are tested to the extreme, with unforeseeable consequences.

There is an ancient saying that when lovers fall out, a plane goes down. 'A Case of Exploding Mangoes' is the story of one such plane. Why did a Hercules C130, the worlds sturdiest plane, carrying Pakistan's military dictator, General Zia ul-Haq, go down on 17 August, 1988?

This book identifies certain moments in the history of contemporary India. These events concern Partition, sati, minority rights, the Bhopal industrial disaster, the nature of the Indian state, and various sociological issues. Veena Das redescribes these events and their implications within the framework of anthropological knowledge. She shows the various social transformations that have resulted in new configurations of relations between the local and the global within India. This work will be of interest to sociologists, anthropologists, historians, and political scientists.

One of the largest rivers in the world, the Indus rises in the Tibetan mountains and flows west across northern India and south through Pakistan. It has been worshipped as a god, used as a tool of imperial expansion, and today is the cement of Pakistan's fractious union. Alice Albinia follows the river upstream, through two thousand miles of geography and back to a time five thousand years ago when a string of sophisticated cities grew on its banks. "This turbulent history, entwined with a superlative travel narrative" (The Guardian) leads us from the ruins of elaborate metropolises, to the bitter divisions of today. Like Rory Stewart's The Places In Between, Empires of the Indus is an engrossing personal journey and a deeply moving portrait of a river and its people.

"It was as if Hamid knew what was going to happen to America and the world, and gave us a road map to our future... At once terrifying and ... oddly hopeful." --Ayelet Waldman, The New York Times Book Review "Moving, audacious, and indelibly human." --Entertainment Weekly, "A" rating The New York Times bestselling novel: an astonishingly visionary love story that imagines the forces that drive ordinary people from their homes into the uncertain embrace of new lands, from the author of The Reluctant Fundamentalist and the forthcoming The Last White Man.   In a country teetering on the brink of civil war, two young people meet--sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors--doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. . . . Exit West follows these remarkable characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.

Rumi Vasi is 10 years, 2 months, 13 days, 2 hours, 42 minutes, and 6 seconds old. She’s figured that the likelihood of her walking home from school with the boy she likes, John Kemble, is 0.2142, a probability severely reduced by the lacy dress and thick woolen tights her father, and Indian émigré, forces her to wear. Rumi is a gifted child, and her father, Mahesh, believes that strict discipline is the key to nurturing her genius if the family has any hope of making its mark on its adoptive country. Four years later, a teenage Rumi is at the center of an intense campaign by her parents to make her the youngest student ever to attend Oxford University, an effort that requires an unrelenting routine of study. Yet Rumi is growing up like any other normal teen: her mind often drifts to potent distractions . . . from music to love. Rumi’s parents want nothing other than to give Rumi an exceptional life. As her father outlines ever more regimented study schedules, her mother longs for India and forcefully reminds Rumi of her roots. In the end, the intense expectations of a family with everything to prove will be a combustible ingredient as an intelligent but naive girl is thrust into the adult world before she has time to grow up. In her stunningly eloquent debut novel, Nikita Lalwani pits a parent’s dream against a child’s. Deftly pondering the complexities and consequences that accompany the best intentions,Giftedexplores just how far one person will push another, and how much can be endured, in the name of love. Advance praise forGifted “A triumph . . . fluid, original, clever, glitteringly vivid, funny . . . All the conventional pieties and forms of Indian immigrant identity and trauma are so wittily preempted, and yet there’s a sure grasp, at the serious core of the novel, of the deep reverberations of politics and history. I couldn’t bear it when it ended.” –Tessa Hadley, author ofThe Master Bedroom “This is an outstanding piece of writing–rich, vivid, fluent, and well paced–with a wonderful cast of well-developed, engaging characters and a constantly surprising story line.” –Gerard Woodward, author ofA Curious Earth

A masterful novel of love, war and family and presents us with a band of memorable characters, spread across Burma, Malaya and India, and across three generations - before the door to Burma closes behind them, and the glittering light of that civilisation seems extinguished.

The Asian literary phenomenon of the 90s. More magical than Mistry, more of a rollicking good read than Rushdie, more nerve-tinglingly imagined than Naipaul, here, perhaps, is the greatest Indian novel by a woman. Arundhati Roy has written an astonishingly rich, fertile novel, teeming with life, colour, heart-stopping language, wry comedy and a hint of magical realism. Set against a background of political turbulence in Kerala, Southern India, The God of Small Things tells the story of twins Esthappen and Rahel. Amongst the vats of banana jam and heaps of peppercorns in their grandmother's factory, they try to craft a childhood for themselves amidst what constitutes their family - their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist and bottom-pincher) and their avowed enemy Baby Kochamma (ex-nun and incumbent grand-aunt).

Set against the backdrop of the Bangladesh War of Independence, A Golden Age is a story of passion and revolution, of hope, faith and unexpected heroism.
As young widow Rehana Haque awakes one March morning, she might be forgiven for feeling happy. Today she will throw a party for her son and daughter. In the garden of the house she has built, her roses are blooming, her children are almost grown, and beyond their doorstep, the city is buzzing with excitement after recent elections. Change is in the air.
But none of the guests at Rehana's party can foresee what will happen in the days and months ahead. For this is 1971 in East Pakistan, a country on the brink of war. And this family's life is about to change forever.
In the chaos of this era, everyone—from student protesters to the country's leaders, from rickshaw'wallahs to the army's soldiers—must make choices. And as she struggles to keep her family safe, Rehana will be forced to face a heartbreaking dilemma. This is the first volume of a planned trilogy.

Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Salman Rushdie's classic children's novel Haroun and the Sea of Stories inhabits the same imaginative space as Gulliver's Travels, Alice in Wonderland, and The Wizard of Oz. In this captivating novel, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.

Ice Candy Man is a heartbreaking story about the Partition of India and the 1947 upheaval that left countless people homeless, hurt and/or dead. This period of time has been documented from various viewpoints, but Sidhwa’s novel approaches the subject from the point-of-view of a little girl who lived through the troubles. Once precocious and seemingly innocent to the world, the main character, Lenny, finds herself altered forever from the reality unfolding around her, as India and Pakistan both form from the rubble of the Partition. The book has been so successful that it was also made into a film, titled 1947.

The continual, unpredictable, and often violent "traffic" between identities in colonial and postcolonial India is the focus of Parama Roy's stimulating and original book. Mimicry has been commonly recognized as an important colonial model of bourgeois/elite subject formation, and Roy examines its place in the exchanges between South Asian and British, Hindu and Muslim, female and male, and subaltern and elite actors. Roy draws on a variety of sources--religious texts, novels, travelogues, colonial archival documents, and films--making her book genuinely interdisciplinary. She explores the ways in which questions of originality and impersonation function, not just for "western" or "westernized" subjects, but across a range of identities. For example, Roy considers the Englishman's fascination with "going native," an Irishwoman's assumption of Hindu feminine celibacy, Gandhi's impersonation of femininity, and a Muslim actress's emulation of a Hindu/Indian mother goddess. Familiar works by Richard Burton and Kipling are given fresh treatment, as are topics such as the "muscular Hinduism" of Swami Vivekananda. Indian Traffic demonstrates that questions of originality and impersonation are in the forefront of both the colonial and the nationalist discourses of South Asia and are central to the conceptual identity of South Asian postcolonial theory itself. The continual, unpredictable, and often violent "traffic" between identities in colonial and postcolonial India is the focus of Parama Roy's stimulating and original book. Mimicry has been commonly recognized as an important colonial model of bourgeois/el

In a crumbling, isolated house at the foot of Mount Kanchenjunga in the Himalayas lives an embittered judge who wants only to retire in peace, when his orphaned granddaughter, Sai, arrives on his doorstep. The judge’s cook watches over her distractedly, for his thoughts are often on his son, Biju, who is hopscotching from one gritty New York restaurant to another. Kiran Desai’s brilliant novel, published to huge acclaim, is a story of joy and despair. Her characters face numerous choices that majestically illuminate the consequences of colonialism as it collides with the modern world.

'One of the finest short story writers I've ever read' Amy Tan WINNER OF THE PULITZER PRIZE WINNER OF THE PEN/HEMINGWAY AWARD WINNER OF THE NEW YORKER PRIZE FOR BEST FIRST BOOK Jhumpa Lahiri's prize-winning debut collection explores the lives of Indians in exile - of people navigating between the strict traditions they've inherited and the baffling New World they must encounter every day. Whether set in Boston or Bengal, these sublimely understated stories, imbued with umour and subtle detail, speak with eloquence to anyone who has ever felt the yearnings of exile or the emotional confusion of an outsider. 'Lahiri is a writter of uncommon elegance and poise, and with Interpreter of Maladies she has made a precocious debut' New York Times

"Thousands of islands rise from the rivers' rich silts, crowned with forests of mangrove, rising on stilts. This is the Sundarban, where great rivers give birth; to a vast jungle that joins Ocean and Earth". Jungle Nama is a beautifully illustrated verse adaptation of a legend from the Sundarbans, the world's largest mangrove forest. It tells the story of the avaricious rich merchant Dhona, the poor lad Dukhey, and his mother; it is also the story of Dokkhin Rai, a mighty spirit who appears to humans as a tiger, of Bon Bibi, the benign goddess of the forest, and her warrior brother Shah Jongoli. Jungle Nama is the story of an ancient legend with urgent relevance to today's climate crisis. Its themes of limiting greed, and of preserving the balance between the needs of humans and nature have never been more timely. Written in Amitav Ghosh's interpretation of the traditional Bengali verse meter, poyar, the poem is coupled with stunning illustrations from internationally renowned artist, Salman Toor.

1970s Afghanistan: Twelve-year-old Amir is desperate to win the local kite-fighting tournament and his loyal friend Hassan promises to help him. But neither of the boys can foresee what would happen to Hassan that afternoon, an event that is to shatter their lives. After the Russians invade and the family is forced to flee to America, Amir realises that one day he must return to an Afghanistan under Taliban rule to find the one thing that his new world cannot grant him: redemption.

Jas is in trouble. Because of who he is-an eighteen-year-old Asian living in London. Because of the gang he hangs out with. And because of the woman he fancies, Samira, who Jas shouldn't have taken a shining to because she is, as his pals point out, not one of his own. He's in trouble because his education, never mind his career, is going nowhere. And he's fallen into the schemes, games and prejudices of his friends on the streets of the big western city in which he lives. But Jas's main trouble is Jas himself, and he doesn't even know the trouble he's in, and try as hard as he does, he's failing to make sense of what it is to be young, male and what you might say is Indostani in a city that professes to be a melting pot but is a city of racial and religious exclusion zones. Without his parents' aspirations to assimilate, without the gifts of his more academically accomplished contemporaries, Jas is a young man without a survival plan to get by in the big city. He's out of touch, an anachronism posing as young man who's up-to-date, living free-style, making things up as he goes along in suburbs of West London. Gautam Malkani's extraordinary comic novel portrays the lives of young Muslim, Sikh, and Hindu men in the ethnically charged enclave of one of the biggest western cities, London. A world usually-but wrongly-portrayed as the breeding ground for Islamic militants is, in actuality, a world of money (sometimes), flash cars (usually), cell phones (all the time), rap music and MTV, as well as rivalries and feuds, and the small-time crooks who exploit them. In Malkani's hilarious depiction of multiculturalism, race is no more than a proxy for masculinity, or lack of masculinity, among young men struggling to get by in a remorseless city. Just as Martin Amis and Irving Welsh captured the mood and the ethos of the eighties and nighties, twenty-nine-year-old Gautam Malkani brilliantly evokes the life of immigrants who are not immigrants in Londonstani, bringing an entirely fresh perspective to contemporary fiction as he does so.

This novel transports us across a subcontinent on a journey of many years. It takes us deep into the lives of its gloriously rendered characters, each of them in search of a place of safety--in search of meaning, and of love. In a graveyard outside the walls of Old Delhi, a resident unrolls a threadbare Persian carpet. On a concrete sidewalk, a baby suddenly appears, just after midnight. In a snowy valley, a bereaved father writes a letter to his five-year-old daughter about the people who came to her funeral. In a second-floor apartment, a lone woman chain-smokes as she reads through her old notebooks. At the Jannat Guest House, two people who have known each other all their lives sleep with their arms wrapped around each other, as though they have just met. A braided narrative of astonishing force and originality, The Ministry of Utmost Happiness is at once a love story and a provocation--a novel as inventive as it is emotionally engaging. It is told with a whisper, in a shout, through joyous tears and sometimes with a bitter laugh. Its heroes, both present and departed, have been broken by the world we live in--and then mended by love. For this reason, they will never surrender. How to tell a shattered story? By slowly becoming everybody. No. By slowly becoming everything. Humane and sensuous, beautifully told, this extraordinary novel demonstrates on every page the miracle of Arundhati Roy's storytelling gifts.

This book is a careful analysis of a film that was originally released in 1957 and remained constantly in distribution until satellite television changed viewing habits. Chatterjee outlines the film's eventful production history and the ambitious vision of its director.

Once Upon a Time in Bollywood presents an extravaganza of essays on globalization and contemporary Hindi cinema ("Bollywood"). The wide-ranging analytic strategies in the collection--including ethnographic self-reflection, literary comparison, economic contextualization, and biographic study--bear witness to Hindi cinema's aesthetically elaborate and politically entangled treatment of postcolonial concerns. Together, these essays invite fresh, critically informed engagements with many of the key issues and creative tensions that continue to shape the world's most prolific film industry. For connoisseurs and critics of Hindi cinema alike, Once Upon a Time in Bollywood presents stirring insights into popular culture. With contributions by: Usamah Ansari, Sonia Benjamin, Nitin Deckha, Radhika Desai, Susan Dewey, Ravinder Kaur, Monika Mehta, Ahmad Saidullah, Jenny Sharpe, Florian Stadtler, and Jennifer Thomas.

The partition of India in 1947 precipitated an enormous social upheaval. Pieced together from oral narratives and testimonies of participants, this text is a personal chronicle of partition that places people, rather than high politics, at centre stage.

'Performative Politics and the Cultures of Hinduism' focuses on one of the major festivals of western India, the Ganapati Utsava, dedicated to the elephant-headed god. Raminder Kaur uses this occasion as the central anthropological and historiographical site within which to examine the dynamic relationship between spectacle, religion and nationalist politics.

Reef is the elegant and moving story of Triton, a talented young chef so committed to pleasing his master's palate that he is oblivious to the political unrest threatening his Sri Lankan paradise. It is a personal story that parallels the larger movement of a country from a hopeful, young democracy to troubled island society. It is also a mature, poetic novel which the British press has compared to the works of James Joyce, Graham Greene, V.S. Naipaul, and Anton Chekhov.

The elegant and compelling novel about a Pakistani man's abandonment of his high-flying life in New York--an extraordinary portrait of a divided and yet ultimately indivisible world in America post-9/11. At a café table in Lahore, a bearded Pakistani man converses with an uneasy American stranger. He begins to tell the story of a man named Changez, who is living an immigrant's dream of America. At the top of his class at Princeton, he is snapped up by an elite valuation firm. He thrives on the energy of New York, and his budding romance with elegant, beautiful Erica promises entry into Manhattan society at the same exalted level once occupied by his own family back in Lahore. But in the wake of September 11, Changez finds his position in his adopted city suddenly overturned, and his relationship with Erica shifting. And Changez's own identity is in seismic shift as well, unearthing allegiances more fundamental than money, power, and maybe even love.

This book deals with an important and too-often ignored area of cultural studies. To examine the enormous industry of Indian popular cinema is to study Indian modernity at its very rawest. The questions and perspectives this book presents provoke a thinking of cinema that is political in the widest sense - from cinemas importance in ideas of nation and national cultural formation to psycho-social perspectives on identity, class and gender. The contributors deal with a range of themes from the metaphor of the slum as a defining cultural phenomenon to personal reflections on the political meanings and strategies of South Asian film, from Tamil blockbusters to the intrinsic ineffectivity of TV as a propagator of state ideology. Whilst the book is essential reading for students and academics of film, media and of South Asian studies. It will also fascinate anyone with an interest in the genuinely global phenomenon of South Asian cinema.

Colombo, 1990. Maali Almeida—war photographer, gambler, and closet queen—has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali. He has seven moons to contact the man and woman he loves most and lead them to the photos that will rock Sri Lanka.

Set in post-colonial India, this is a sweeping saga of four Indian families who must conduct their lives through an era of newborn independence and political crises, when Hindu, Muslim and Western cultures clash with new vehemence.

Propelled by the same superb instinct for storytelling that made The Kite Runner a beloved classic, the #1 New York Times bestseller A Thousand Splendid Suns is at once an incredible chronicle of thirty years of Afghan history and a deeply moving story of family, friendship, faith, and the salvation to be found in love.  "Just as good, if not better, than Khaled Hosseini's best-selling first book, The Kite Runner."--Newsweek Khaled Hosseini returns with a beautiful, riveting, and haunting novel that confirms his place as one of the most important literary writers today. Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss and by fate. As they endure the ever escalating dangers around them-in their home as well as in the streets of Kabul-they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation. With heart-wrenching power and suspense, Hosseini shows how a woman's love for her family can move her to shocking and heroic acts of self-sacrifice, and that in the end it is love, or even the memory of love, that is often the key to survival. A stunning accomplishment, A Thousand Splendid Suns is a haunting, heartbreaking, compelling story of an unforgiving time, an unlikely friendship, and an indestructible love.

"In the summer of 1947, when the creation of the new state of Pakistan was formally announced, ten million people--Muslims and Hindus and Sikhs--were in flight, By the time the monsoon broke, almost a million of them were dead, and all of northern India was in arms, in terror, or in hiding. The only remaining oases of peace were a scatter of little villages lost in the remote reaches of the frontier. One of these villages was Mano Majra." It is a place, Khushwant Singh goes on to tell us at the beginning of this classic novel, where Sikhs and Muslims have lived together in peace for hundreds of years. Then one day, at the end of the summer, the "ghost train" arrives, a silent, incredible funeral train loaded with the bodies of thousands of refugees, bringing the village its first taste of the horrors of the civil war. Train to Pakistan is the story of this isolated village that is plunged into the abyss of religious hate. It is also the story of a Sikh boy and a Muslim girl whose love endures and transcends the ravages of war.

Balram's journey from darkness to the light of success is a brilliantly irreverent, blackly comic, deeply endearing and altogether unforgettable tour de force.