Displays

Newspeak, Doublethink, Big Brother, the Thought Police - the language of 1984 has passed into the English language as a symbol of the horrors of totalitarianism. George Orwell's story of Winston Smith's fight against the all-pervading Party has become a classic, not the least because of its intellectual coherence. First published in 1949, it retains as much relevance today as it had then.

One of the most influential books of the twentieth century gets the graphic treatment in this first-ever adaptation of George Orwell's 1984. War is Peace * Freedom is Slavery * Ignorance is Strength In 1984, London is a grim city in the totalitarian state of Oceania where Big Brother is always watching you and the Thought Police can practically read your mind. Winston Smith is a man in grave danger for the simple reason that his memory still functions. Drawn into a forbidden love affair, Winston finds the courage to join a secret revolutionary organization called the Brotherhood, dedicated to the destruction of the Party. Together with his beloved Julia, he hazards his life in a deadly match against the powers that be. With evocative, immersive art from Fido Nesti, this vision of George Orwell's dystopian masterpiece provides a new perspective for longtime fans but is also an accessible entry point for young readers and adults who have yet to discover the iconic story that is still so relevant today. 

George Orwell's timeless and timely allegorical novel--a scathing satire on a downtrodden society's blind march towards totalitarianism. "All animals are equal, but some animals are more equal than others." A farm is taken over by its overworked, mistreated animals. With flaming idealism and stirring slogans, they set out to create a paradise of progress, justice, and equality. Thus the stage is set for one of the most telling satiric fables ever penned--a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.   When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell's masterpiece have a meaning and message still ferociously fresh.

U Po Kyin, Sub-divisional Magistrate of Kyauktada, in Upper Burma, was sitting in his veranda. It was only half past eight, but the month was April, and there was a closeness in the air, a threat of the long, stifling midday hours. Occasional faint breaths of wind, seeming cool by contrast, stirred the newly drenched orchids that hung from the eaves. Beyond the orchids one could see the dusty, curved trunk of a palm tree, and then the blazing ultramarine sky. Up in the zenith, so high that it dazzled one to look at them, a few vultures circled without the quiver of a wing. Unblinking, rather like a great porcelain idol, U Po Kyin gazed out into the fierce sunlight. He was a man of fifty, so fat that for years he had not risen from his chair without help, and yet shapely and even beautiful in his grossness; for the Burmese do not sag and bulge like white men, but grow fat symmetrically, like fruits swelling. His face was vast, yellow and quite unwrin-kled, and his eyes were tawny. His feet-squat, high-arched feet with the toes all the same length-were bare, and so was his cropped head, and he wore one of those vivid Arakanese longyis with green and magenta checks which the Burmese wear on informal occasions. He was chewing betel from a lacquered box on the table, and thinking about his past life.

Intimidated by her father, the rector of Knype Hill, Dorothy performs her submissive roles of dutiful daughter and bullied housekeeper. Her thoughts are taken up with the costumes she is making for the church school play, by the hopelessness of preaching to the poor and by debts she cannot pay in 1930s Depression England. Suddenly her routine shatters and Dorothy finds herself down and out in London. She is wearing silk stockings, has money in her pocket and cannot remember her name. Orwell leads us through a landscape of unemployment, poverty and hunger, where Dorothy's faith is challenged by a social reality that changes her life.

In Front of Your Nose features Orwell's final writings, including extracts from his manuscript notebook, as well as details of his remarriage and adoption of a son, notes on the writing and publication of Nineteen Eighty-four, as well as reviews of books by Jean-Paul Sartre and Graham Greene, an examination of politics and literature in Gulliver's Travels, and the hidden meanings of "nonsense poetry."

From George Orwell, the author of 1984 and Animal Farm, Coming Up for Air is the classic, comic novel about the everyday struggles of the common man and a satiric look at the trappings of middle-class suburbia. George "Tubby" Bowling is a middle-aged insurance salesman, a job at which he grimly excels, dutifully paying the mortgage on an average English suburban row house, and supporting an ungrateful family. As the years roll by, he comes to feel like a hostage to his wife and children, regarding them as wardens and himself as a prisoner. One day, after winning some money from a bet at the races, George steals away from his family to visit the village where he grew up, to fish for carp in a pool he remembers from thirty years before. The pool, alas, is gone, the village has changed beyond recognition, and the principal event of his holiday is an accidental bombing by the RAF--the perfect ending to his failed escape. "A work of rare vigor and imagination."--New York Herald-Tribune Book Review

Ten celebrated essays by a man universally regarded as a master of the essay form. Included are such classics as "Charles Dickens," "The Art of Donald McGill," "Boys' Weeklies," "Raffles and Miss Blandish," and "Benefit of Clergy: Some Notes on Salvador Dali."

From the author of 1984, the classic semi-autobiographical story about the adventures of a penniless British writer in two cities. Down and Out in Paris and London follows the journey of a writer among the down-and-out in two great cities. Without self-pity and often with humor, this novel is Orwell at his finest--a sobering, truthful protrayal of poverty and society.

A fresh account of the development and achievement of the novelist and essayist who became Britain's greatest political writer of modern times. George Orwell (1903-1950) is one of the most important, admired, and controversial British writers of modern times. This new study examines his writing - the novels, journalism, essays and polemics - by looking at the context and development of his passionately held views, and at the genres, representations and narratives in which they found expression. Douglas Kerr gives an account of Orwell's whole writing career, from its awkward beginnings in Down and Out in Paris and London to the ambiguous triumphs of Animal Farm and Nineteen Eighty-Four, tracing its relation to four contexts - the East, England, Europe, and the nightmare police-state of Oceania. In particular he argues for the importance of Orwell's youthful service in the colonial police in Burma, and for the way his experience of the East and of what he called 'the dirty work of empire' shaped the w

From a public school education, to service with the Imperial Police in Burma, to life as a tramp on the streets of Paris and London and action in the Spanish Civil War, George Orwell has remained an enigmatic figure; a man whose literary legacy is steeped in controversy. Orwell's creative and critical work has positioned him as both the champion of the political left and occasionally its enemy. This New Casebook establishes Orwell as more than a 'voice of the left' and examines his enduring position in the English tradition. The essays in this volume study Orwell's love-hate relationship with England, together with his views on the British Empire, as well as offering new and exciting readings of his classic texts, Nineteen Eighty-Four and Animal Farm. Avoiding the old cliches, the essays offer a provocative and engaged reading of the man and his work in the light of recent developments in literary and critical theory.

Series Editors: Kinley E. Roby, Northeastern University; Herbert Sussman, Northeastern University; Joseph Bartolomeo, University of Massachusetts; George Economou, University of Oklahoma; Arthur F. Kinney, University of Massachusetts. TWAYNES UNITED STATES AUTHORS, ENGLISH AUTHORS, and WORLD AUTHORS Series present concise critical introductions to great writers and their works. Devoted to critical interpretation and discussion of an authors work, each study takes account of major literary trends and important scholarly contributions and provides new critical insights with an original point of view. An Authors Series volume addresses readers ranging from advanced high school students to university professors. The book suggests to the informed reader new ways of considering a writers work. A reader new to the work under examination will, after reading the Authors Series, be compelled to turn to the originals, bringing to the reading a basic knowledge and fresh critical perspectives. Each volume features: a critical, interpretive study and explication of the authors works; a brief biography of the author; an accessible chronology outlining the life, work, and relevant historical background of the author; aids for further study -- complete notes and references, a selected annotated bibliography, and an index; and a readable style presented in a manageable length.

In 1936 Orwell went to Spain to report on the Civil War and instead joined the fight against the Fascists. This famous account describes the war and Orwell’s experiences. Introduction by Lionel Trilling.

George Orwell was one of the most significant literary figures on the left in the twentieth century. While titles such as 1984, Animal Farm and Homage to Catalonia are still rightly regarded as modern classics, his own politics are less well understood. Hope Lies in the Proles offers a sympathetic yet critical account of Orwell's political thinking and its continued significance today. John Newsinger explores various aspects of Orwell's politics, detailing Orwell's attempts to change working-class consciousness, considering whether his attitude towards the working class was romantic, realistic or patronising - or all three at different times. He also asks whether Orwell's anti-fascism was eclipsed by his criticism of the Soviet Union, and explores his ambivalent relationship with the Labour Party. Newsinger also breaks important new ground regarding Orwell's shifting views on the USA, and his relationship with the progressive Left and feminism. Focusing on the enduring interest in Orwell and his influence on current political causes, the book is ultimately a unique, nuanced attempt to demonstrate that Orwell remained a committed socialist up until his death.

George Orwell set out 'to make political writing into an art', and to a wide extent this aim shaped the future of English literature - his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell's essays seeks to bring a wider selection of his writing on politics and literature to a new readership.Inside the Whale, the eighth in the Orwell's Essays series, discusses Henry Miller's controversial Tropic of Cancer, and considers the driving power behind the great books of the 1930s. Comparing Miller with other literary giants, Orwell lambasts the notion that all literature is good, forcing the reader to think for themselves, with his final words ringing in their ears: 'five thousand novels are published in England every year and four thousand nine hundred of them are tripe.'

Gordon Comstock loathes dull, middle-class respectability and worship of money. He gives up a 'good job' in advertising to work part-time in a bookshop, giving him more time to write. But he slides instead into a self-induced poverty that destroys his creativity and his spirit. Only Rosemary, ever-faithful Rosemary, has the strength to challenge his commitment to his chosen way of life. Through the character of Gordon Comstock, Orwell reveals his own disaffection with the society he once himself renounced. Enlivened with vivid autobiographical detail, George Orwell's Keep the Aspidistra Flying is a tragically witty account of the struggle to escape from a materialistic existence.

The Lion and the Unicorn was written in London during the worst period of the blitz. It is vintage Orwell, a dynamic outline of his belief in socialism, patriotism and an English revolution. His fullest political statement, it has been described as 'one of the most moving and incisive portraits of the English character' and is as relevant now as it ever has been.

One of the most celebrated classics of the twentieth century, Orwell's cautionary tale of a man trapped under the gaze of an authoritarian state feels more relevant now than ever before. Winston Smith spends his days rewriting history to fit the narrative that his government wants citizens to believe. But as the gap between the propaganda he writes and the reality he lives proves too much for Winston to swallow, he begins to seek some form of escape. His desperate struggle to free himself from an all-encompassing, tyrannical state illuminates the tendencies apparent in every modern society, and makes vivid the universal predicament of the individual. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

Before he authored the dystopian 1984 and the allegorical Animal Farm, George Orwell was a journalist, reporting on England's working class -- an investigation that led him to examine democratic socialism. In the 1930s, the Left Book Club, a socialist group in England, sent George Orwell to investigate the poverty and mass unemployment in the industrial north of England. Once there, he went beyond the requests of the book club, to investigate the employed as well. Orwell chose to live as the coal miners did -- sleeping in foul lodgings, subsisting on a meager diet, struggling to feed a family on a dismal wage, and going down into the hellish, backbreaking mines. What Orwell saw clarified his feelings about socialism, and in The Road to Wigan Pier, he pointedly tells why socialism, the only remedy to the shocking conditions he had witnessed, repelled "so many normal decent people." "Orwell's code was a simple one, based on truth and 'deceny'; he was important -- and original -- because he insisted on applying that code to his own Socialist comrades as well as to the class enemy...It is the best sociological reporting I know."--The New Yorker

Whether puncturing the lies of politicians, wittily dissecting the English character or telling unpalatable truths about war, George Orwell's timeless, uncompromising essays are more relevant, entertaining and essential than ever in today's era of spin.